The movie has some funny moments and one-liners, but afterwards you feel cheated because the exploration of the characters and the relationships that they are involved in - romantic and platonic - end up being nothing more than cliches with predictable endings.
The married couple is Tom (played by David Duchovny), the stay-at-home husband of actress Rebecca (Julianne Moore). Tom begins cheating on Rebecca with a woman whose children attend the same school as his own children. At first the justification seems to be that Tom just wants sex and does not seem to be getting it as frequently or as "creatively" as he used to with Rebecca. The eventual truth that he is frustrated as a stay-at-home dad that is using sex and his affair as a way of expressing his feelings of emasculation and uselessness is sadly obvious from the beginning, without the deeper explorations of guilt and denial that might have helped add more depth to the character of Tom. The fact that the movie is written and directed by Julianne Moore's husband, Bart Freundlich, made me wonder after the movie whether it was even remotely autobiographical or not...for Julianne Moore's sake, I hope not!
The othere couple is Rebecca's brother, Tobey (Billy Crudup) and his girlfriend of seven (!) years, Elaine (Maggie Gyllenhaal), who are obviously there as a compare-and-contrast couple as well as providing same-gender friends for when the predictable complications arise. Elaine is an aspiring children's book author who admits to Rebecca early on in the movie that she wants to be married and have kids. This naturally leads to the confrontation with Tobey because he does not want children. Maggie Gyllenhaal, whom I have adored since seeing her in Secretary, gives the character of Elaine as much complexity as she is able, but with the restrictions of predictability, the complexity manages to manifest in dialogue such as the lines spoken in the arguement during the dinner party scene. Tobey is attempting to try and win Elaine back after she has dumped him, with the arguement behind closed doors naturally being heard by everyone, including the new boyfriend. Tobey mocks the new boyfriend by calling him a "sprocket," to which Elaine counters that he may be a sprocket but he is one with a huge c*ck (this pronouncement elicits a silent Tom to raise his glass in deference to the "Sprocket"). Billly Crudup's Tobey comes off as a sterotypical quasi-slacker that is more interested in finding out about his therapist's personal life then he is in trying to deal with his own issues. The quirk that is supposed to project uniqueness, comes from the running joke that he is obsessed with the idea of dying. The inevitability of his death is his excuse for not marrying Elaine and when called on it, spends the rest of the movie working through the issue until he resolves it in a formulatic manner.
Don't get me wrong, I did laugh and enjoy myself while I watched the movie. But the movie never truly breaks new ground nor give a fresh take on the old ground, so forgetable in fact, that I had to resort to the official web site to remind me of a movie I had just finished viewing three hours ago....never a good sign. This is a movie that I'm glad I got a movie pass for because it definitely is not a movie you want to pay to see.
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